Martin Luther King, Jr. - I Have a Dream

August 28, 1963. Lincoln Memorial in Washington D.C. 

 

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.
Five score years ago a great American in whose symbolic shadow we stand today signed the Emancipation Proclamation. This momentous decree came as a great beckoning light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.
But one hundred years later the Negro is still not free. One hundred years later the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination.
One hundred years later the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity.
One hundred years later the Negro is still languishing in the comers of American society and finds himself in exile in his own land.
We all have come to this hallowed spot to remind America of the fierce urgency of now. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to change racial injustice to the solid rock of brotherhood. Now is the time to make justice ring out for all of God's children.
There will be neither rest nor tranquility in America until the Negro is granted citizenship rights.
We must forever conduct our struggle on the high plane of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with soul force.
And the marvelous new militarism which has engulfed the Negro community must not lead us to a distrust of all white people, for many of our white brothers have evidenced by their presence here today that they have come to realize that their destiny is part of our destiny.
So even though we face the difficulties of today and tomorrow I still have a dream. It is a dream deeply rooted in the American dream.
I have a dream that one day this nation will rise up and live out the true meaning of its creed: 'We hold these truths to be self-evident; that all men are created equal."
I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit together at the table of brotherhood.
I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.
I have a dream that little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
I have a dream today.
I have a dream that one day down in Alabama, with its vicious racists, with its Governor having his lips dripping with the words of interposition and nullification, one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.
I have a dream today.
I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough places plains, and the crooked places will be made straight, and before the Lord will be revealed, and all flesh shall see it together.
This is our hope. This is the faith that I go back to the mount with. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the genuine discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, pray together; to struggle together, to go to jail together, to stand up for freedom forever, )mowing that we will be free one day.
And I say to you today my friends, let freedom ring. From the prodigious hilltops of New Hampshire, let freedom ring. From the mighty mountains of New York, let freedom ring. From the mighty Alleghenies of Pennsylvania!
Let freedom ring from the snow capped Rockies of Colorado!
Let freedom ring from the curvaceous slopes of California!
But not only there; let freedom ring from the Stone Mountain of Georgia!
Let freedom ring from Lookout Mountain in Tennessee!
Let freedom ring from every hill and molehill in Mississippi. From every mountainside, let freedom ring.
And when this happens, when we allow freedom to ring, when we let it ring from every village and hamlet, from every state and every city, we will be able to speed up that day when all of God's children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, "Free at last! Free at last! Thank God almighty, we're free at last!"

Dr APJ Abdul Kalam

10 Memorable Quotes From Dr APJ Abdul Kalam

 

1. You have to dream before your dreams can come true.
2. Excellence is a continuous process and not an accident.
3. Life is a difficult game. You can win it only by retaining your birthright to be a person.
4. Man needs his difficulties because they are necessary to enjoy success.
5. We will be remembered only if we give to our younger generation a prosperous and safe India, resulting out of economic prosperity coupled with civilizational heritage.
6. Those who cannot work with their hearts achieve but a hollow, half-hearted success that breeds bitterness all around.
7. Educationists should build the capacities of the spirit of inquiry, creativity, entrepreneurial and moral leadership among students and become their role model.
8. Look at the sky. We are not alone. The whole universe is friendly to us and conspires only to give the best to those who dream and work.
9. If a country is to be corruption free and become a nation of beautiful minds, I strongly feel there are three key societal members who can make a difference. They are the father, the mother and the teacher.
10. My message, especially to young people is to have courage to think differently, courage to invent, to travel the unexplored path, courage to discover the impossible and to conquer the problems and succeed. These are great qualities that they must work towards. This is my message to the young people.

Charlie Chaplin Biography - Comedian (1889–1977)

Charlie Chaplin was a comedic British actor who became one of the biggest stars of the 20th century's silent-film era.

Synopsis

Born on April 16, 1889, in London, England, Charlie Chaplin worked with a children's dance troupe before making his mark on the big screen. His character "The Tramp" relied on pantomime and quirky movements to become an iconic figure of the silent-film era. Chaplin went on to become a director, making films such as City Lights and Modern Times, and co-founded the United Artists Corporation. He died in Corsier-sur-Vevey, Vaud, Switzerland, on December 25, 1977.

 

Early Life

Famous for his character "The Tramp," the sweet little man with a bowler hat, mustache and cane, Charlie Chaplin was an iconic figure of the silent-film era and one of film's first superstars, elevating the industry in a way few could have ever imagined.

Born Charles Spencer Chaplin in London, England, on April 16, 1889, Charlie Chaplin's rise to fame is a true rags-to-riches story. His father, a notorious drinker, abandoned Chaplin, his mother and his older half-brother, Sydney, not long after Chaplin's birth. That left Chaplin and his brother in the hands of their mother, a vaudevillian and music hall singer who went by the stage name Lily Harley.

Chaplin's mother, who would later suffer severe mental issues and have to be committed to an asylum, was able to support her family for a few years. But in a performance that would introduce her youngest boy to the spotlight, Hannah inexplicably lost her voice in the middle of a show, prompting the production manager to push the five-year-old Chaplin, whom he'd heard sing, onto the stage to replace her.

Chaplin lit up the audience, wowing them with his natural presence and comedic angle (at one point he imitated his mother's cracking voice). But the episode meant the end for Hannah. Her singing voice never returned, and she eventually ran out of money. For a time, Charlie and Sydney had to make a new, temporary home for themselves in London's tough workhouses.

Early Career

Armed with his mother's love of the stage, Chaplin was determined to make it in show business himself, and in 1897, using his mother's contacts, landed with a clog-dancing troupe named the Eight Lancashire Lads. It was a short stint, and not a terribly profitable one, forcing the go-getter Chaplin to make ends meet any way he could.
"I (was) newsvendor, printer, toymaker, doctor's boy, etc., but during these occupational digressions, I never lost sight of my ultimate aim to become an actor," Chaplin later recounted. "So, between jobs I would polish my shoes, brush my clothes, put on a clean collar and make periodic calls at a theatrical agency."

Eventually other stage work did come his way. Chaplin made his acting debut as a pageboy in a production of Sherlock Holmes. From there he toured with a vaudeville outfit named Casey's Court Circus and in 1908 teamed up with the Fred Karno pantomime troupe, where Chaplin became one of its stars as the Drunk in the comedic sketch A Night in an English Music Hall.

With the Karno troupe, Chaplin got his first taste of the United States, where he caught the eye of film producer Mack Sennett, who signed Chaplin to a contract for a $150 a week.

Film Career

In 1914 Chaplin made his film debut in a somewhat forgettable one-reeler called Make a Living. To differentiate himself from the clad of other actors in Sennett films, Chaplin decided to play a single identifiable character, and "The Little Tramp" was born, with audiences getting their first taste of him in Kid Auto Races at Venice (1914).

Over the next year, Chaplin appeared in 35 movies, a lineup that included Tillie's Punctured Romance, film's first full-length comedy. In 1915 Chaplin left Sennett to join the Essanay Company, which agreed to pay him $1,250 a week. It is with Essanay that Chaplin, who by this time had hired his brother Sydney to be his business manager, rose to stardom.

During his first year with the company, Chaplin made 14 films, including The Tramp (1915). Generally regarded as the actor's first classic, the story establishes Chaplin's character as the unexpected hero when he saves the farmer's daughter from a gang of robbers.

By the age of 26, Chaplin, just three years removed from his vaudeville days, was a superstar. He'd moved over to the Mutual Company, which paid him a whopping $670,000 a year. The money made Chaplin a wealthy man, but it didn't seem to derail his artistic drive. With Mutual, he made some of his best work, including One A.M. (1916), The Rink (1916), The Vagabond (1916) and Easy Street (1917).

Through his work, Chaplin came to be known as a grueling perfectionist. His love for experimentation often meant countless takes, and it was not uncommon for him to order the rebuilding of an entire set. Nor was it uncommon for him to begin filming with one leading actor, realize he'd made a mistake in his casting and start again with someone new.

But the results were hard to refute. During the 1920s Chaplin's career blossomed even more. During the decade he made some landmark films, including The Kid (1921), The Pilgrim (1923), A Woman in Paris (1923), The Gold Rush (1925), a movie Chaplin would later say he wanted to be remembered by, and The Circus (1928). The latter three were released by United Artists, a company Chaplin co-founded in 1919 with Douglas Fairbanks, Mary Pickford, and D.W. Griffith.

 

Off-Screen Drama

Chaplin became equally famous for his life off-screen. His affairs with actresses who had roles in his movies were numerous. Some, however, ended better than others.

In 1918 he quickly married 16-year-old Mildred Harris. The marriage lasted just two years, and in 1924 he wed again, to another 16-year-old, actress Lita Grey, whom he'd cast in The Gold Rush. The marriage had been brought on by an unplanned pregnancy, and the resulting union, which produced two sons for Chaplin (Charles Jr. and Sydney) was an unhappy one for both partners. They divorced in 1927.

In 1936, Chaplin married again, this time to a chorus girl who went by the film name of Paulette Goddard. They lasted until 1942. That was followed by a nasty paternity suit with another actress, Joan Barry, in which tests proved Chaplin was not the father of her daughter, but a jury still ordered him to pay child support.
In 1943, Chaplin married 18-year-old Oona O'Neill, the daughter of playwright Eugene O'Neill. Unexpectedly the two would go on to have a happy marriage, one that would result in eight children.

 

Later Films

Chaplin kept creating interesting and engaging films in the 1930s. In 1931, he released City Lights, a critical and commercial success that incorporated music Chaplin scored himself.

More acclaim came with Modern Times (1936), a biting commentary about the state of the world's economic and political infrastructures. The film, which did incorporate sound, was, in part, the result of an 18-month world tour Chaplin had taken between 1931 and 1932, a trip during which he'd witnessed severe economic angst and a sharp rise in nationalism in Europe and elsewhere.

Chaplin spoke even louder in The Great Dictator (1940), which pointedly ridiculed the governments of Hitler and Mussolini. "I want to see the return of decency and kindness," Chaplin said around the time of the film's release. "I'm just a human being who wants to see this country a real democracy . . ."

But Chaplin was not universally embraced. His romantic liaisons led to his rebuke by some women's groups, which in turn led to him being barred from entering some U.S. states. As the Cold War age settled into existence, Chaplin didn't withhold his fire from injustices he saw taking place in the name of fighting Communism in his adopted country of the United States.

Chaplin soon became a target of the right-wing conservatives. Representative John E. Rankin of Mississippi pushed for his deportation. In 1952, the Attorney General of the United States obliged when he announced that Chaplin, who was sailing to Britain on vacation, would not permitted to return to the United States unless he could prove "moral worth." The incensed Chaplin said good-bye to United States and took up residence on a small farm in Corsier-sur-Vevey, Switzerland.

Final Years

Nearing the end of his life, Chaplin did make one last visit to the United States in 1972, when he was given an honorary Academy Award. The trip came just five years after Chaplin's final film, A Countess from Hong Kong (1967), the filmmaker's first and only color movie. Despite a cast that included Sophia Loren and Marlon Brando, the film did poorly at the box office. In 1975, Chaplin received further recognition when he was knighted by Queen Elizabeth.

In the early morning hours of December 25, 1977, Charlie Chaplin died at his home in Corsier-sur-Vevey, Vaud, Switzerland. His wife, Oona, and seven of his children were at his bedside at the time of his passing. In a twist that might very well have come out of one of his films, Chaplin's body was stolen not long after he was buried from his grave near Lake Geneva in Switzerland by two men who demanded $400,000 for its return. The men were arrested and Chaplin's body was recovered 11 weeks later.

SAVE TIGERS

A hundred years ago there were 100,000 tigers in the wild. Today there are as few as 3,200. Save Tiger.

A hundred years ago there were 100,000 tigers in the wild. Today there are as few as 3,200. - See more at: http://www.savetigersnow.org/problem#sthash.3YYbcoeT.dpuf

A hundred years ago there were 100,000 tigers in the wild. Today there are as few as 3,200. - See more at: http://www.savetigersnow.org/problem#sthash.3YYbcoeT.dpuf

A hundred years ago there were 100,000 tigers in the wild. Today there are as few as 3,200. - See more at: http://www.savetigersnow.org/problem#sthash.3YYbcoeT.dpuf

The Oscars 2015 - Winners

"The 87th Academy Award Winners and Nominees for the 2015 Oscars"

Date : February 22, 2015

Winners

Birdman - Alejandro González Iñárritu, John Lesher,  James W. Skotchdopole	Best Picture
Julianne Moore for Still Alice	Best Actress
Eddie Redmayne for The Theory of Everything	Best Actor
Alejandro González Iñárritu for Birdman	Best Director
Ida - Paweł Pawlikowski	Best Foreign Language Film
J.K. Simmons for Whiplash	Best Supporting Actor
Patricia Arquette for Boyhood	Best Supporting Actress
Big Hero 6 - Chris Williams, Don Hall, Roy	Best Animated Feature Film
Glory from SELMA by John Legend, Common	Best Original Song
Birdman - Alejandro González Iñárritu,  Alexander Dinelaris, Nicolás Giacobone	Best Original Screenplay
Emmanuel Lubezki for Birdman	Best Cinematography
The Imitation Game by Graham Moore	Best Writing Adapted Screenplay
The Grand Budapest Hotel - Alexandre Desplat	Best Original Music Score
Interstellar -Paul J. Franklin, Andrew Lockley,  Ian Hunter	Best Visual Effects
Mark Coulier for The Grand Budapest Hotel	Best Makeup
Frances Hannon for The Grand Budapest Hotel	Best Makeup
Craig Mann for Whiplash	Best Sound Mixing
Ben Wilkins for Whiplash	Best Sound Mixing
Thomas Curley for Whiplash	Best Sound Mixing
Milena Canonero for The Grand Budapest Hotel	Best Costume Design
The Phone Call - Mat Kirkby, James Lucas	Best Live Action Short Film
Tom Cross for Whiplash	Best Film Editing
Bub Asman for American Sniper	Best Sound Editing
Alan Robert Murray for American Sniper	Best Sound Editing
Feast - Kristina Reed, Patrick Osborne	Best Animated Short Film
Citizenfour - Laura Poitras, Mathilde Bonnefoy,  Dirk Wilutzky	Best Documentary Feature
Anna Pinnock for The Grand Budapest Hotel	Best Production Design
Adam Stockhausen for The Grand Budapest Hotel	Best Production Design
Crisis Hotline: Veterans Press 1 -  Dana Heinz Perry, Ellen Goosenberg Kent	Best Documentary Short Subject